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自​由​的​戏​剧​Drama of Freedom​(​Bonus Track Version)

by SIIIG

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about

SIIIG beat Collection 2010 - 2020
Produced by SIIIG @ 2010 - 2020.Shanghai.
Released @ 2020 Digital/Cass
Number of track :23 +1 Bonus Track

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再一次康德;本质自然的道德解放。自然以取消意义威胁。恶作为自由的代价。康德阴沉的酷似人:萨德。纵欲的漩涡和神圣的交媾。伤风败俗的理性游戏。萨德寻找绝对的恶。。精神犯罪的意志:写作。
怀疑不禁产生,因为被描述的自由的理论-不管被理解为“积极”或者“消极”-对自由那昏暗的神秘退避三舍。而自由正是没有不可分离地与自我保存的意志联在一起。就“善”而言,康德也十分清楚地指出了这点。人如此的自由,以至于他甚至可以放置他自身利益于不顾。倘若他听从自己良心的声音,根据责任,无上命令行事,那么他就不单单根据自己的得益行动。他选择善-因为这是善,而不是因为这对他有好处。


                                                                                                                                                                                                                                - - -《恶或者自由的戏剧》




第一章《法租界》

当今世界的划分方式变得简单粗暴,一道界限划分出了冲突,躲进肤色或者财富内就拥有了武器,侵略就此发生。“如果有可能每个人都能成为暴君” “帝国永远不会消失“这就是人心所向。你渴望和平,但还是需要武器。



第二章《恶作》

巴耶塔区别了狂热的恶和卑鄙的恶。狂热的恶不斤斤计较,不被任何权利认可。卑鄙的恶服务于一个力量,一种意识形态-它想在这个意义中使自己有用。这个恶甚至还问心无愧,因为它知道自己与一种官方的国家目的一致。这里起决定性作用的不是狂热,而是任务。这里涉及到的不是来自造反精神的心醉神迷,而是佣仆的荒淫无度。



第三章《中药》

他的追随者,类似美感的革命家波德莱尔,艾伦。坡或兰波不过不是在主题方面,但在风格方便将超过他。当波德莱尔诗意地梦想“断头台”时,爱伦。坡把“性欲反常的梦魇”改编成语言的魔术时,或者当兰波那迷醉的图像暗潮指感官那“系统的迷惘””时-他们在寻找萨德的足迹。他们进入黑暗的心脏或来到世界的尽头。恶对那些对习以为常的狂喜感到疲倦的人来说充满美学的诱惑,于是在地狱寻找天堂。



第四章《野猪》

被巴巴耶欣赏的“恶”是像萨德,爱伦坡或福楼拜那样的艺术家。激情烧灼了他们的生命,他们又献身于艺术,拒绝让自己的顽念服务于任何一个事业。对他们来说,重要的是令人迷醉的瞬间。他们决不愿意如此安排他们的生命和艺术,杀死让他们对某种事情有益。正是这样:他们不想对什么有益。有利的原则对他们真正的人生是为了被挥霍,被牺牲,被输掉和被替换。”伟大的真理是:恶在世界上比善重要。善是基础,但顶峰是恶。。。。。



第五章《塔希提》

在浪漫主义的狂热中有一个恐惧的潜流。对清醒的恐惧,对梦游般安全的结束的恐惧。浪漫主义在其毫不留情的时刻中知道,其天堂之乐的共鸣空间令人震惊地是空的。“音乐不久对我来说完全是我们生命中的一幅画”,瓦肯罗德尔写到,“一个感人的短暂的快乐,它来自虚无,消失在虚无中,-它升起又下沉,人们不知道为什么:一个欢乐的绿色小岛,有遮阳伞,歌声和音乐,-飘荡在黑暗的,深不可测的大洋上。



第六章《迷魂记》

自由是指一个人可以慷慨布施的可能性。你有敞开自己,轻松上路的能耐——你不防御、不观看,也不会一直自我觉察。这是自我的消失,自我意识的消亡。这便是究竟的自由。

                                          ---《自由的迷思》






此张专辑建议在室外听,不断变化环境的声音也是这张专辑的一部分。                                           
















Album Introduction




Once again Kant; the natural liberation of morality. Naturally threatened with a sense of cancellation. Evil as the price of freedom. Kant's gloomy resemblance: Sade. Indulgent whirlpool and divine intercourse. Bad game. Sade looks for absolute evil. . The will of mental crime: writing.
Doubts can't help but arise because the described theory of freedom-whether it is understood as "positive" or "negative"-retreats from the dim mystery of freedom. And freedom is inextricably linked with self-preserving will. As far as "goodness" is concerned, Kant also pointed out this very clearly. Man is so free that he can even ignore his own interests. If he listens to the voice of his conscience, acts according to his responsibilities, and supremely commands, then he does not just act on his own benefit. He chooses goodness-because it is good, not because it is good for him.


                                 ------ "Das Böse. Oder Das Drama der Freiheit."





Chapter One  《French Concession》

In today's world, the way of dividing becomes simple and rough. A line separates the conflict, hides in the skin color or wealth, possesses weapons, and the aggression occurs. "If it is possible that everyone can become a tyrant" ,"The Empire Never Ended" This is what people want. You long for peace, but you still need weapons.


Chapter Two 《Evil Loop》

Valetta distinguishes fanatic evil from mean evil. Fanatic evil is not a matter of care, and is not recognized by any right. Despicable evil serves a force, an ideology-it wants to make itself useful in this sense. This evil is even worthy of conscience, because it knows that it is consistent with an official national purpose. What is decisive here is not fanaticism, but the task. What is involved here is not the infatuation from the rebellious spirit, but the vainness of the servants.



Chapter Three 《Chinese Medicine》

His followers, the aesthetic-like revolutionaries Baudelaire, Allen. Poe or Lampo is not only in terms of subject matter, but will exceed him in style convenience. When Baudelaire dreamed of "guillotine" poetically, Ellen. When Poe adapted the "abnormal nightmare of libido" into the magic of language, or when the dark tide of Lampona ’s intoxicated images refers to the "systemic confusion" of the senses-they were looking for Thad ’s footprint. To the end of the world. Evil is full of aesthetic temptations for those who are tired of the usual ecstasy, so he looks for paradise in hell.



 Chapter IV 《Wild Boar》

The "evil" appreciated by Babaye is an artist like Thad, Allan Poe or Flaubert. Passion burned their lives, and they dedicated themselves to art, refusing to allow their obsession to serve any cause. What is important to them is the fascinating moment. They are never willing to arrange their lives and art in such a way that killing them is good for something. It's exactly this: they don't want to benefit anything. The principle of benefit to their true life is to be squandered, sacrificed, lost and replaced. "The great truth is: Evil is more important than good in the world. Good is the foundation, but the pinnacle is evil ...



Chapter V 《Tahiti》

There is an undercurrent of fear in the frenzy of romanticism. Fear of sobriety, of the end of sleepwalking safety. Romanticism knows in its merciless moment that the resonance space of its paradise is shockingly empty. "Music will soon be completely a painting in our lives for me", Vulcan Roder wrote, "A touching and short-lived joy, it comes from nothingness, disappears into nothingness-it rises and sinks, People don’t know why: a joyful green island with umbrellas, singing and music, ----floating on the dark, unfathomable ocean.



Chapter VI 《Vertigo》(Bonus Track) 

 Freedom refers to the possibility that a person can give generously.  You have the ability to open yourself up and get on the road easily-you don't defend, you don't watch, and you are not always aware of yourself.  This is the disappearance of the self, the demise of self-consciousness.  This is the ultimate freedom.

----<The Myth of Freedom and the Way of Meditation> by chogyam Trungpa Rinpoche.




This album is recommended to listen outdoors, and    the sound of the changing environment is also part of this album.       

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released June 4, 2020

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